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Known for his work with Michael Brecker and Chris Potter, Adam has also released memorable albums of his own as a bandleader.
No matter what genre he was playing in, one thing was certain; Grant would bring his best to each recording and jam session.Not only are they melodies, but they stick in your head and are singable, even after the solo is over.As well, theres a mixture of ascending and descending lines, as well as leaps and steps in this lick.After working on this idea from a technical perspective, put on a ii V I backing track and solo using only the arpeggio shapes from the above exercise.In this section, you study licks featuring large stretches, double-time ideas, voice leading, and other characteristic elements found in Tal Farlows solos.Jazz Guitar Legend Vic Juris, this free 84-page jazz guitar PDF teaches you to: Master essential jazz guitar chords.Click to hear charlie christian lick 1 Charlie gross profit margin ratio industry average Christian Lick 2 Heres a triplet based Charlie Christian lick over a ii V I in G major.The voice leading here uses the b7 of Am7b5 to move to the 3rd of D7alt, G-F#.Playing a 7th arpeggio from the 2nd note of a chord, such as D7 over C7, is a great way to bring that 7#11 sound into your lines without playing a scale-based idea.This is a common way to create tension when playing over static chords such as this one.Tal loved to use double stops in his solos, especially blues-inspired runs such as this.Though Dorian is often the go to choice for many jazz guitarists over m7 chord, Kurt experiments with Dorian, Aeolian, melodic minor, and more when soloing over minor chords.In this phrase, you learn a diatonic line over a ii V I in G major, played all in 16th notes.Then, come back and get some of these classic jazz guitar licks under your fingers.This line gets the job done; its melodic, and fun to play.From there, the last part of the line contains two notes outside of that scale, the 7th and 4th of Fmaj7.
You can hear how Wes jazzes up this blues lick by using slides, a repetitive approach to melody and a slight variation on the highest note of each section to make the scale firmly sound like jazz.
Play the solo along with a backing track exactly as written.When soloing over changes, you can play a chord one half step below or above the chord youre on to create tension.Click to hear grant green lick 4 Grant Green Lick 5 The final Grant Green lick in this section is a longer ii V I in A minor.In this section, you learn five licks inspired by the playing of Boogaloo Joe Jones that you can learn, practice, and apply to your own jazz guitar solos.Jims music is full of moments like this, simple approaches that have big effects on the music.You can also think of this chord as Dm7/G, which is the same chord shape youd use to play Maiden Voyage by Herbie Hancock, just a different key.Though this line is played over a four-bar phrase, to get the Martino style under your fingers, you can repeat the three-note pattern as long as you want.Since playing bebop lines such as these can sound forced, its more musical to break down larger licks into these smaller phrases.
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